The Durham Book Festival
The Test of Time is a new book celebrating the life and work of the late Spennymoor artist Norman Cornish, which reveals some of the fascinating stories behind his pictures.
In two special events to mark the publication of the book, Norman’s son-in-law Mike Thornton will talk to writer Michael Chaplin exploring the stories, history and anecdotes behind the moments of County Durham life captured in Cornish’s acclaimed paintings. Drawing on the 50 years Mike spent in conversation with Norman, these events will celebrate the legacy of a great artist and provide insight and access to a slice of art history. The discussions will be supported by examples of paintings and drawings representing the full canon of Norman’s work.
Michael Chaplin’s father Sid, was a contemporary of Norman Cornish at The Spennymoor Settlement and also a ‘marra’ at Dean and Chapter Colliery. Michael Chaplin has written the Foreword to ‘The Test of Time’ and he has known Norman throughout his own lifetime.
Michael Chaplin is a former journalist, television producer and executive. He is a writer with many credits in drama for radio, television and the theatre, and author of various books of non-fiction about the North- East.
‘The Test of Time:’ A new book about the life and work of Norman Cornish
We are delighted to be part of The Durham Book Festival 2023 and specific details of the launch in October will be published fairly soon.
The Test of Time’ includes over 400 images spanning the depth and breadth of his career. Many are previously unseen and will be published for the first time, evoking memories and nostalgia from a bygone era.
‘The Test of Time’ collates the stories behind the pictures, the legacy projects, and a collection of informed essays from nationally respected arts and cultural specialists who have known and enjoyed Cornish’s work throughout their own lifetimes including:
Michael Chaplin, Melvyn Bragg, Andrew Festing MBE, Dr Robert McManners MBE, Gillian Wales, Steve Swallow, Chris Lloyd, Dr Steve Howell, Dr Keith Wilson, Pam Royle & Dr Cesar Lengua.
To be continued ……
The Test of Time
The daily news can be both depressing and up-lifting and not always in equal measures. Many of our readers most likely enjoyed the exhibitions during the centenary year and one of the highlights of course was the retrospective exhibition at The Bowes Museum where over 53,000 people travelled from all parts of the UK to enjoy the works on show. There should be some announcements in the coming months to share plans about a new exhibition in 2024.
One of the more unusual highlights at The Bowes Museum in 2020 during ‘the hanging’ (pictures not staff) was an interview by BBC Radio 4 Today (listening figures 6 million+) when the interviewer asked Associate Professor Jean Brown of Northumbria University, the question, “Will his work stand the test of time?” to which she replied: “Absolutely – because he is up there with Rembrandt, Degas and Lautrec.”
Great works of art inevitably stand the test of time and there is an authenticity in Cornish’s work which spans his era and, in the ‘wheel of art’, often generating new ‘isms’, Cornish remains at the hub. He has become an anchor point in the wider arts community, building on social realism without shifting towards abstraction and decoration.
‘Behind The Scenes: The Norman Cornish Sketchbooks’ published in 2017 revealed the detailed creative process in Cornish’s sketchbooks. The test of time concept has provided the inspiration for a new book to collate the stories behind the pictures and the legacy projects. It is accompanied by a collection of informed comments from nationally respected arts and cultural specialists who have enjoyed Cornish’s work throughout their own lifetimes.
For over 50 years we spent many hours in conversation with Norman, listening as he shared highlights of his life and work. This experience enabled a special insight to a treasure trove of historical moments and anecdotes. The stories behind much of his work were revealed to provide unrivalled access to a slice of art history.
Some good news…… We have been working for the past 18 months on this new book, ‘The Test of Time’ which will be launched in October. The front cover is featured today. Details about the book and arrangements for the launch will be published during the coming weeks. To be continued…….
Hanging on the Walls
Following a sustained period of working in his studio, without a gallery to promote his work via exhibitions, the opportunity to develop a relationship with the University of Northumbria Gallery from 1989 proved to be mutually beneficial at a crucial stage in Cornish’s career. The gallery became a point of contact for the media and collectors of his work, and also a venue for numerous exhibitions which followed. The gallery was also able to relieve Cornish of the task of framing his own work which he had undertaken for many years.
Eight exhibitions were staged at the University Gallery between 1989 and 2013. Cornish always attended the preview and made himself available to meet and talk to those who were interested in his work. This became a challenging task as he was in the twilight of his career, but he was always willing to meet and talk to people. On one occasion there was a ‘live broadcast’ directly from the gallery by Tyne Tees Television, such was the interest in his work and the opportunity to hear Cornish speak.
Exhibitions often toured to other galleries in the region such as: Hartlepool Art Gallery, Woodhorn Museum Ashington, Bailiffgate Museum Alnwick, Customs House Gallery South Shields and The Queens Hall, Hexham. One man exhibitions were also staged at Sunderland Museum and Art Gallery as well as The Greenfield Gallery in Newton Aycliffe.
Cornish first exhibited in London on several occasions during the 50s, and he was delighted that his work was returning to the capital at this point in his career via exhibitions at Piano Nobile, Barings Bank and two exhibitions at Kings Place Gallery.
At one of the private views, the Vice Chancellor of the university spoke at length about Cornish and his work to the assembled audience. He finished his speech by inviting Cornish to comment, which he did, with some well-chosen words: ‘Everything I have to say is hanging on the walls.’ A powerful statement from an artist who had captured significant change in communities across the region during his slice of life.
Further details may be obtained by visiting www.normancornish.com
Community Arts: Inspired by Norman Cornish
Norman Cornish started work at Dean & Chapter Colliery at 2am on Boxing Day 1933 aged 14 years. He was already aware that he had an emerging interest and skill in drawing and he was later excited to learn that a ‘Sketching Club’ was part of the new Spennymoor Settlement. However, he was disappointed when he asked to join because he was rejected and told to return when he was a year older. He waited patiently and twelve months later he was allowed to join and the rest is history!
The modern day equivalents of the national ‘Settlement movement’ are community arts centres, arts clubs or community arts projects and an excellent example may be found in Sunderland at Southwick REACH’s :‘Together in Southwick’ Project
Southwick REACH’s current project, Together in Southwick (funded by the Lottery Community Fund) evolved through a culmination of many smaller projects including a Covid-19 Recovery Programme which reconnected isolated members after the lockdown eased. There was a real hunger for regular workshops to continue. The Together in Southwick programme has provided regular creative workshops for the local community where members have learned many new skills and techniques to create some wonderful artwork. The group have enjoyed visiting various cultural venues and exhibitions including, Beamish Museum’s 1950s Town where they enjoyed exploring the home of the Cornish family and Norman’s home studio. It’s rewarding to see participants expressing themselves through creativity as well as connecting with peers and forming new friendships. Group members regularly feedback the benefits of taking part and as a result, we know it is vitally important to continue this valuable therapeutic process to combat loneliness and isolation through connecting regularly and creating with others.
One member who supports her husband living with dementia said:
“REACH –Research, Education, Arts and Culture Home gives us the opportunity to both enjoy time together in a safe, friendly, welcoming place. It helps us both to have some me time and express ourselves through art. Art and Reach isn’t just about what we do, it’s also about being part of the group and support we can offer one another, it’s so much more and has been a lifeline for us.”
We are grateful to The National Lottery Community Fund for supporting Together in Southwick.
In their recent exhibition ‘Southwick Streets’ members also exhibited the Norman Cornish style sketches and paintings they created whilst studying the work of the artist and learning new skills at the beginning of the project.
The Spennymoor Settlement Sketching Club provided mutual support to the members during an equally challenging era and they later developed a strong regional and national reputation.
Congratulations to all of those involved in the project guided by Lyn Killeen, Southwick REACH Artistic Director.
Throughout the centenary year, an interesting range of themed exhibitions is planned in order to commemorate Norman’s life and to celebrate his work.
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